Psychic and Social Paralysis of a Rising Generation: A Study of John Osborne’s Look Back in Anger and Esiaba Irobi’s Nwokedi

Downloads

Download the Article:

Authors

  • Norbert Oyibo Eze Department of Theatre and Film Studies, University of Nigeria, Nsukka
  • Peter Ogohi Salifu Department of Theatre and Film Studies, University of Nigeria, Nsukka https://orcid.org/0000-0002-3342-6476
https://doi.org/10.55559/sjahss.v1i04.19

Keywords:

Youth, Rising Generation, Anger, Psychic and social paralysis

Abstract

This paper examines the response of youths or the rising generation, to the socio-economic and political factors that ceaselessly widen the gap between the elite and the ordinary people, especially the youth and which tend to force the youth to resort to violence as a means of making their point or calling attention to the neglected leaders of tomorrow. While Look Back in Anger represents the anger period, a notable era in English Drama, Irobi’s play in English; Nwokedi, appears to suggest that the Nigerian youth seem to grope in a more devastating condition in a post-colonial Nigeria, where poor leadership has created all manner of socio-economic and political tension. The youthful generation in both plays embodied in the characters, Jimmy and Nwokedi, respectively violently demonstrate their resentment against the ruling class ideology and the social order it promotes. Their resolve points strongly to a revolution that a positive change may only quell. The paper submits that youths should, along with their agitations for a better society, give no holiday to developing new ideas and visions on which their ambitions will thrive. Leaders on all fronts are also cautioned to realize the destructive effects of bad leadership and avert uprisings from an angry citizenry by living up to their mandates.

Downloads

Download data is not yet available.

References

Abba, Abba A. “Reinventing the Primordial: Human Blood Ritual and the Lure of Power in Esiaba Irobi’s Nwokedi.” Journal of Language, Literature and Culture. 64:3, (2017): 183-194. https://doi.org/10.1080/20512856.2017.1402470

Boys, Annabel, Marsden, John and Strang, John. “Understanding Reasons for Drug Use Amongst Young People: A Functional Perspective” Health Education Research, Theory and Practice Vol. 16, No. 4 (2001): 457-469. https://doi.org/10.1093/her/16.4.457

Eze, Norbert Oyibo. ENG 362 English Drama. Ed. Olu Obafemi. Lagos: National Open University of Nigeria, 2013.

Eze, N. O. (January 01, 2000). Meaning and significance in Esiaba Irobi's 'Nwokedi' and 'Hangmen also die'. Okike: An African Journal of New Writing, 44, 24-45.

Irobi, Esiaba. Nwokedi. Enugu: ABIC Books & Equip. Ltd., 1991.

Isidore, Diala, “Violent Obsessions: Esiaba Irobi’s Drama and the Discourse of Terrorism” Modern Drama 44:1 (2006): 60–75. https://doi.org/10.1353/mdr.2006.0046

Jatau, Abubakar I., Sha’aban, Abubakar, Gulma, Kabiru A., Shitu, Zayyanu, Khalid, Garba M., Isa, Abubakar, Wada, Abubakar S., and Mustapha, Mohammed. “The Burden of Drug Abuse in Nigeria: A Scoping Review of Epidemiological Studies and Drug Laws” Public Health Reviews Vol. 42. (2021): 1- 11. https://doi.org/10.3389/phrs.2021.1603960

Mou, Seseer P and Mou, Dan. “The youths and Leadership in Emerging Democracies” Journal of Good Governance and Sustainable Development in Africa 4.1 (2021): 56-67.

Nwagwu, Josephine U. "Socio-economic Constraints Affecting Youth Involvement in National Economic Development." Journal of Technology and Education in Nigeria 9.1 (2004): 38-46. https://doi.org/10.4314/joten.v9i1.35657

Okoye, Chike. "Manichaean Probable Possibilities: Restiveness in Esiaba Irobi's Nwokedi." Creative Artist 10.2 (2016): 1-11.

Osborne, John. Look Back in Anger. London: Faber and Faber Ltd., 1957.

Published on: 15-04-2022

Also Available On

Note: Third-party indexing sometime takes time. Please wait one week or two for indexing. Validate this article's Schema Markup on Schema.org

How to Cite

Oyibo Eze, N., & Salifu, P. O. (2022). Psychic and Social Paralysis of a Rising Generation: A Study of John Osborne’s Look Back in Anger and Esiaba Irobi’s Nwokedi. Sprin Journal of Arts, Humanities and Social Sciences, 1(04), 206–214. https://doi.org/10.55559/sjahss.v1i04.19
2583-2387